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Posts posted by Patrick Taylor Brown
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Hi all,
I'm shooting a teaser for a project soon, and I'd like to end up with what appears to be one long continuous take, but would be actually 3 shots.
The setup is simple the frame starts on black, the camera dollying backward to reveal the blackness is the pupil of the actor in the scene, focus would be pulled remotely, for a continually shifting DoF to allow for constant focus.
The camera will continue to dolly backwards from it's initial position, using I'm assuming a macro lens, to it's final position across the room roughly 16ft back from the actor.
I'm using a BMCC 2.5k and when the camera hit's it's final position, I need to be at an 11mm focal length to see the entire width of the room from that position.
My thought is to use a Macro lens for the initial X feet of the camera movement, shooting as I retreat, getting slightly more coverage than I need, and having the second shot be on my wider non-macro lens, on the same dolly, moving back at the same speed, and then edit them together at the point the shots "overlap", creating a seamless transition between one shot/lens and the next.
This seems possible, I'm not sure about the specifics of lens selection, but I think this is do-able.
Any advice would be greatly appreciated.
Advice on lens selection for continuous take
in Visual Effects Cinematography
Posted
The movement of the camera on the dolly track will be a consistent speed through the entirety of the take, as well as consistent from take to take.