Luis Collazo

On 5/8/2019 at 4:22 PM, David Mullen ASC said:

Keep in mind that the softness of a light depends on its size relative to the subject, so if the object is tiny then the soft light doesn't have to be very large to be soft.  If you're lighting a golf ball and bring a 1K Fresnel with 216 on the barn doors just two feet from the ball, it's going to be a soft light.

So flagging the light is the same as if you scaled everything larger for full size objects -- small lights, small diffusion pieces, small flags, snoots (sometimes made with black wrap), negative fill, etc.

Thank you David, I just learned about Dots & Fingers

Hi! I’m looking for advice on how to light macro shots with metallic surface and small details. I’m looking for a soft wrappy light with high contrast. Do I need a small diffused source? How do you flag and control light with small objects? Any advice or link to an article would help. Thanks!

Thank you guys for taking the time to watch it and give great feedback, I really appreciate it. I still have a long way. 

8 hours ago, Max Field / Macks Fiiod said:

Yeah the grade could use a little more punch and when the interview audio comes in it immediately destroys the professional vibe you opened with. Also getting more angles of coverage for the main interview would really flesh things out, maybe even have the camera handheld on that portion too.

This goes in and out between TV quality and youtube vlogger's student film. I don't believe you're clueless to this, I think the director just settled in the wrong areas.

Let me know if you need an audio guy, I'm in the area.

Thanks for your feedback. I'm interested in your audio guy contact. Definitely need one.