Freddie Whitman

That's exactly what I needed to hear! I was on the fence about color correcting for the low contrast, desaturated look, but it certainly makes more sense.

Thank you!

Hi all, 

I am prepping for a short film I am shooting on Super 16 mm and I am thinking about rating 7219 at 250 ASA and pull processing -1 so as to create a lower contrast, desaturated, "lifeless" look. I am wondering if anybody has any good examples that used this particular approach to create pallid, muted tones. I'm mainly looking for references in case I do not have the time /budget to shoot proper tests.

Thanks!

Freddie 

Hi all, 

I just tried this on the Aaton XTR and got a ghosting effect.  Could this have to do with the tension difference between the 100 foot spool on the feed and the 400 foot core on the take up?  If so, what is the best way to avoid this ghosting problem?