G. Stephen Bruno

im interested to know what you guys think of these shots.

thank you.

G. Stephen Bruno

Thanks guys, I will look into that. sounds like yet another fun project.

Currently i am working at a alluminum diecast plant here in Arkansas. we make mostly bbq grills.

....If i could only stop production, and pitch a mattebox design to my forman .... <_<

Stupid Question....

If a Student filmmaker (ME) understands the need for a matte box and doesnt care "how cool it looks", but rather, "how well it works", could they (ME) build there own?

-thanks

I'll Be moving back to SoCAL in Jan / Feb, if you guys are having the workshops in L.A by then,

Can i Come? :mellow:

Although, I dont know how i could contribute, I would most likely be that guy with a note pad, fixing my glasses while constantly taking notes...

Hello, I might be relocating to the SD area after the start of the year. Are there any Labs in the SD county?

or will i have to resort to taking the drive north. I've been looking, and keep coming up empty, any help?

-G. Stephen Bruno

Hi, thanks for all the usefull info,

Like most student filmmakers, I constantly search for K-3's and other equipment on ebay. Has anybody had trouble with buying a K-3, or is it just with the older highend cameras?

Also...

hell, should i just save up and buy a new super16 K-3, and if so, how "New" would it be?

thanks -

Watch the DVDs "Wild Style" and "Style Wars" .

Wild Style!

I have no advise, but hey watch it anyway........

-Bboy Glenn

Thank you David, that makes sense.. any suggestions on creating contrast..( flagging, stronger keys..etc)?

I really just want to use the overheads as ambient lighting.

Forgive me davidWY for twisting your question....

I am producing a 16mm short film which has scenes inside a Grocery store. I am thinking about shooting the whole film in 7222 or 7231 B&W negative. If i use the overheads (which are fluorecents) will i be okay...

or is there somthing i'm missing? I undersand the green cast with "color", will this have affects in the b&w...

Again Sorry for twisting the post, didnt want to jar up the board with another one

-G. Stephen Bruno

How many of you have ever used SLR cameras as light meters for 16mm capture?

 

How did you go about it?

interesting, i just was having the same question about the metering, only with my n55.

i'll stay tuned

I just bought a reg8mm cam, it will be my first attempt at film, and hopfully thru trial and error, prob mostly error, i will learn how to properly light and bring my concepts to life

i'm glad to see that the stock is available, although i noticed only reversal, with very low ASA (50-100) for all stocks, will this limit my creative control?

any lighting tips?

will super8 fit in a regular 8mm camera?