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  1. Hi everyone, I have a question thats been asked before, but I havent yet found the exact answer. Or lets say I'm not really entirely clear on what the best path is. So, we are going to shoot on ARRI MINI in anamorphic. Some ARRIRAW, some proress for higher frame rate, OpenGate. I plan to shoot OG 4:3 sensor mode. The client wants to take multiple formats from the shoot (car commercial) i.e 2.39:1 for main film, 16:9 extraction for web, and 1:1 for Instagram. We need to convince the client that its totally OK to shoot anamorphic and just extract the 16:9 from the footage. And this is where I am not sure... a) Is it even possible to have a 2K 16:9 image from a desqueezed anamorphic source? b) Is it better to take the 16:9 extraction from the UNSQUEEZED 4:3 and then desqueeze after, and if so c) how can one do that? What is the correct workflow. I assume its better to take the extraction before the footage is desqueezed to keep the max amount of pixels, right???? Any advice will be hugely appreciated!!! All the best to you all, Neel Potgieter dop Paris France
  2. Hey folks, My school likes to go through color lab for film processing/telecines, but it seems as though they are limited only (as evidenced by the telecine form) to 4:3 and 16:9 Aspect Ratios. Shooting on Super 16, I framed for the native AR of 1.66 and would prefer not to crop the top and bottom of my frames -- even if it's still "...the same basic shape" as they put it. Are there any other easy to use/ship to and quality labs that can telecine our rolls at a 1.66? Thanks in advance! Any help is appreciated.
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