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Found 6 results

  1. The Reel Thing, a symposium focusing on the preservation and restoration of audio visual collections, will open with the U.S. premiere of a 4K restoration of Billy Wilder’s “The Apartment” (1960), which won five Oscars including Best Picture. A recently restored version of Vittorio De Sica’s “Bicycle Thieves” will also be shown during the three-day event, which runs August 23-25 at the Academy of Motion Picture Arts and Sciences’ Linwood Dunn Theater in Hollywood. The Reel Thing offers insight into the latest preservation and restoration efforts throughout the motion picture community, and bri
  2. The Association of Moving Image Archivists (AMIA) has announced a robust program for its annual conference, which brings together over 600 experts to share perspectives on the latest methodologies and technologies being used in the acquisition, preservation, restoration, exhibition and use of audiovisual media. The event runs Nov. 30 to Dec. 2 at the InterContinental New Orleans, and is preceded by two days of workshops, including a Community Archiving Fair, a Hack Day, and a presentation of The Reel Thing, a technical symposium that explores recent restoration projects. A detailed schedule an
  3. Los Angeles Edition of Symposium to Address Confluence of Film Restoration and Digital Technologies in Service of Future-Proofing Cinema’s Legacies for Generations to Come The Reel Thing, a symposium dedicated to addressing the preservation and restoration of audio visual collections, will open with the U.S. premiere of a new restoration of the Oscar®-nominated 1960 film “La Verite” (“The Truth”). Two additional new 4K restorations also will be shown during The Reel Thing, including the U.S. premiere of Howard Hawks’ “Scarface” and the world premiere of Alex Cox’s “Sid and Nancy.” The R
  4. LOS ANGELES (August 15, 2016) - The 38th edition of The Reel Thing, a three-day symposium addressing audio/visual restoration and archiving, will explore the constantly evolving ecosystem of film and digital restoration and preservation. This year's program will examine legacy film restorations and showcase modern technologies being used to futureproof collections and keep them viable for future display and distribution formats. The event will take place August 18-20 at the Academy's Linwood Dunn Theater in Hollywood. In addition to discussions with industry leaders, premiere screenings of se
  5. In anticipation of World Day for Audiovisual Heritage, filmadvocacy.org posted the following page: http://www.filmadvocacy.org/2013/10/25/unesco-world-day-for-audiovisual-heritage-choices-rights/ on Friday. Some interesting information in there, here is a quote from the page: "It is of the utmost importance that filmmakers around the world continue to have the ability to choose the mediums and technologies that best support the preservation of their works into the future. Well-tested and proven technologies that facilitate this goal must continue to remain available. UNESCO World Day for
  6. The Digital Moving Image Archives Guide for Independent Filmmakers launched a few days ago: http://dmia.drupalgardens.com This website has been set up in collaboration with the Association of Moving Image Archivists and is modelled after filmforever.org but purely for digital imaging. Please check it out.
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