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Showing results for tags 'C-Log'.
Hey everyone, I recently have been attempting to understand ACES. Currently, I am using C-LOG footage from a C100 mk II, but I've noticed that the IDT for C100 C-Log isn't listed in the Resolve project settings. I've found a CTL file for this (presumably) on Canon's website, but I have no idea how to install that in the program, and the more I try to delve into ACES the more complicated everything seems to be. Does anyone have advice for this? Thanks!
I recently purchased a color chart to use while grading and am curious about how to treat middle grey. Intuition would tell me to place it around 50% on the waveform, and articles I've seen on the subject say 45%. However, I know that different cameras record middle grey differently, for example, C-LOG places middle grey at 32% IRE. I haven't been able to really test it with the C100 I use at work yet, but I'm curious, when grading a C-LOG image, should I correct middle grey to 45-50% IRE, or should I leave it at 32% IRE, and just adjust my highlights and shadows accordingly? Thanks.
I have been having an issue when color grading lately with the C300. After the grade, most blacks that are below 40 IRE seem to be artifacting like crazy on youtube. Whereas I don't see this from other people's work. Ive tried these encode settings in adobe media encoder, Quicktime MOV, h264 55'000 kbps 1920 x 818 Quicktime MOV, h264 35'000 kbps 1920 x 818 Quicktime MOV, h264 25'000 kbps 1920 x 818 Quicktime MOV, Prores 444 1920 x 818 But all of them just aren't cutting it and I dont know what I'm missing. My blacks are generally not brought down to 0 becau