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Found 9 results

  1. Hello sir, Am looking for Baselight LUTs,where should I get it? Do share me your ideas. Thank you
  2. Hello all, My name is Robert, currently heading into my graduate thesis film production, with a question about shooting two different cameras over one production. During prep with the director, the idea of shooting 2 cameras came up as I was camera testing with a Canon c700 and the Canon Cine Primes, which I have decided to use as an A camera. As it stands, our budget won't allow for a second c700 to act as B camera, however we currently have an f55 w/ Ultra Primes reserved from the school's equipment house. Having tested both cameras, I know that each camera possesses different chara
  3. Hi all, im from india. the cost of DI in Baslight for 2 hour movie shot on Red Epic is around 30000 US doller. i want to know whats the cost like in other country.
  4. Hi all, I'm new to the forum and am looking for some advice. I'm not from Film; In fact, I am a video game Art Director at one of the largest game makers in the world (Not bragging, just hoping to show that I'm legit in my queries.) The game I'm presently working on - I'd like to take it in an artistic direction that mimics the forethought and planning given to a film, from photography, to production design to color grading in post. I'm reading everything I can find about it but some things I cannot seem to find answers for. Which brings me to this site. :) I'm hoping someone can help g
  5. Hey everyone, I work for Central, a DI facility in Vancouver, and together with FilmLight and Dolby we're hosting an event in November about our work on Neill Blomkamp's Elysium. We'll be discussing our approach to VFX integration, using the ACES colour workflow, as well as some creative insight from our colourist, Andrea Chlebak, on creating the look. Elysium: Crafting the Future in DI November 14th, 6:30 to 9:30 @ Vancity Theatre RSVP and additional information on our Eventbrite page: http://elysiumcraftingthefuturevancouver.eventbrite.com/ Thanks! -Alex
  6. Hi everyone. I am about to start the 2 years of film studies at LACC and my goal is to become a film ditrector. My likings, which used to be quite broad, have narrowed down to movies where especial effects are of the essence ( Life of Pi, Transformers, Pirates of the Caribbean, etc.) My question is how much of SFXs a director must know in order to make the movie? Is he supposed to have a great deal of knowledge of this field before embarking in such kind of projects? Thanks.
  7. My question is how much of SFXs a director must know in order to make a movie? Is he supposed to have a great deal of knowledge in this field before embarking in such kind of projects? Do they teach special effects for directors? Is that something that the cinematographer must know? Thank you for your time.
  8. How much of SFXs a director must know in order to make the movie? Is he supposed to have a great deal of knowledge of this field before embarking in such kind of projects? Must the cinematographer know this subject too?
  9. Hello everyone, you know that color grading software they used for The Hobbit? maybe you can figure it out from this link Thanks AM
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