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Found 29 results

  1. Hi everyone I've recently installed Davinci Resolve 9 and I'm hitting a wall. I have footage filmed in 5k anamorphic on 2x anamorphic lenses that I've uploaded to Davinci Resolve 9. In the program I've changed the settings from "square pixel" to "cinemascope", which desqueezes the footage in Resolve. However, when I go to export the footage as Proress 422 HQ it still appears unsqueezed. I'm up for all suggestions at the moment. Thanks, BG
  2. Hey a small query..so i was planning to apply a black stocking behind my lenses. The rental company wouldn't allow me to glue them or tape them, hence the method i applied was put a rubbed band behind my master primes..i was pretty happy with the result. However a small query...has anyone tried this before? i mean applying them with a rubber band? i am little concerned about the heat generated...will it affect the rubber band and make it slip? just wondering how safe is this method?? cheers
  3. Hi all, First post here, thought I'd introduce myself. Having worked at a video production company in the UK for the past 5 years I've finally gone freelance as I'm looking to get more into shorts and gaining dp, 1ac, 2ac etc. experience. I know I'm at the very beginning but being 32 I'm not a spring chicken anymore. My first project is a self-initiated music video for an prog artist Crayola Lectern, shot on Epic and I was wondering if anyone had any constructive criticism on the piece? It's not fiction per se, being a music video, but I was aiming for a look which would work cinematically. All the rest of the technical info is on the Vimeo page but here's the video: https://vimeo.com/65640344 I know this has been answered in various posts by various people but I would like to get more experience on a set, either 1ac, 2ac (or dp, but unlikely get a break), what is the best way to go about this? Agencies? Just networking? Creating your own content (shorts etc.)? I know my stuff fairly well but I assume no-one will hire camera crew without real set experience or work credits. Thanks all in advance, PJ Palomaki +44 (0)7876 251565 www.pjpalomaki.com
  4. Hi all, Wanted to get some advice and thoughts on the best way to approach lighting and shooting a scene with selective exposure. I want to partially expose a shot, and keep other parts in shadow. This is for a dramatic short in which that sort of low-key and contrasty lighthing will best reflect the mood. My concern is protecting the blacks in the shadows from noise. I will be using RED Epic. Any input would be greatly appreciated as I am still learning. Many thanks, Alex
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