Jump to content

Search the Community

Showing results for tags 'What filter you recommend'.

  • Search By Tags

    Type tags separated by commas.

  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • Cine Marketplace
    • Cameras Systems and Formats
    • Lighting for Film & Video
    • Camera Operating & Gear
    • Camera Assistant / DIT & Gear
    • Grip & Rigging
    • Visual Effects Cinematography
    • Post Production
    • Students, New Filmmakers, Film Schools and Programs
    • Lenses & Lens Accessories
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • Directors and Directing
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Business Practices & Producing
    • Camera & Lighting Equipment Resources
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Cinematography News
    • Sound
    • Off Topic
    • Accessories (Deprecated SubForum)
    • Regional Cinematography Groups

Find results in...

Find results that contain...


Date Created

  • Start

    End

Last Updated

  • Start

    End

Filter by number of...

Joined

  • Start

    End

Group

Occupation

Location

My Gear

Specialties

Found 1 result

  1. Philipp Kunzli
    Hey Everybody I'm in preproduction for a glossy beauty commercial. Unfortunately, the lenses we have to shoot on, are a set of Zeiss Distagon T 2.1. I know it's the definitely not the right choice but's what we got. The camera we shot on is an Epic Dragon. The result should be is a "classic" soft beauty look with a lot of flares, gentle blacks and a lot of soft backlight. Normally I'd order a set of of old uncoated lenses but as written, it's not possible and the Distagon are quite "dry"... My thoughts go towards stacking a Glimmerglas with a Black Promist together... But may be you guys have any oder and better idea. THX for your support. Philipp
×
×
  • Create New...