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Found 2 results

  1. I’m looking to either buy or create some blimps for my Kinor 16 systems. The main goal is general sound dampening to allow better audio recording in close environments. While Aapo’s custom sync motors are quiet, and a recently CLA’d camera will help to reduce noise, there is still noticeable sound without a blimp. I’m curious to see if there are any options viable for purchase, or if I should try to fabricate my own. I’m capable of fabricating if so, but would want to know what options as far as material I should try to go for. Any knowledge or guidance helps.
  2. Hello all, I am a student interested in filmmaking and i have an idea for a short that I would potentially like to shoot on super 8. I use a canon 514 xl which shoots at 18fps and gets scanned in at 24. I end up bringing it back to its original speed in premiere later on but i would like to record dialogue at the same time for a little 2 minute short. I was wondering if anyone has had experience with blimping this camera or recording dialogue with a similar super 8 setup as I would much rather use film than digital for this project. I appreciate any advice you guys can give me. Thank you Nick
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