Jump to content

Search the Community

Showing results for tags 'c300 II'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


  • Cinematography Forums
    • General Discussion
    • Cinematography News
    • Lighting
    • Camera Operating
    • AC's & DIT's
    • Grip & Rigging
    • Visual Effects Cinematography
    • Grading, DI and Telecine
    • Students and New Filmmakers
    • Cameras Systems and Formats
    • Lenses & Lens Accessories
    • Camera Accessories & Tools
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Cine Marketplace
    • Business Practices
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Regional Cinematography Groups
  • Not Cinematography
    • Producing
    • Directing
    • Sound
    • Editing
    • Off-Topic
    • Forum Support


  • Calendar


  • Articles

Find results in...

Find results that contain...

Date Created

  • Start


Last Updated

  • Start


Filter by number of...


  • Start





My Gear


Found 3 results

  1. The camera has 1426 hours mainly from studio broadcast use. Includes four 128GB SanDisk CFast 2.0 cards ($1200 value). This package purchased new would cost $11,200. Five cards are pictured but only four will be included. Selling to move on to RED for different work. I am the second owner. Includes 1 BP-A30 battery and charger. All buttons and slots fully functional. Cards have cosmetic blemishes but work perfectly. Cheers!
  2. Client just sprung a 4K/PAL/25FPS requirement for an upcoming shoot here in US. Already had three C300 II's booked, so the camera is capable. This will be a first for me so I did a blitz of research, came up with these settings etc. Below is what I provided the rental house, who are also a bit puzzled, but efforting. Suggestions, observations, GOTCHAS, please. Many thanks. SYSTEM: PAL RESOLUTION: 4K FULL AUDIO: 48khz AUDIO SAMPLE RATE (please confirm this makes sense) CODEC: XF AVC 10BIT 4:2:2 ISO 800 REC 709….OR 2020….NEED ADVICE HERE. 25FPS (YES, 25) 180DEGREES JAM-SYNC TIME-OF-DAY 24-HOUR CLOCK, FREE RUN DROP -FRAME REC OUT 4K RAW: OFF RELAY RECORDING ABB PERFORMED It’s an auditorium shoot. I need Cams A/B to stay tack-sharp on podiums, A head-on, B to the side, Cam C does roving cuts and needs to be able to select focus at the shooter’s discretion. So, FOCUS SETTINGS: “C” CAM, “One Shot” focus mode, Face Detection ON, “Face Only” ON, no tracking. “A” and “B” CAMS, "AF Manual Boosted”, “Face Detection” ON, and I think….”Tracking” off, but we should discuss. All cards verified formatted (sorry, and thank
  3. I'm shooting a fairly low-budget short film in February and trying to decide what camera system to go for. I won't need slow-motion, low-light wizardry, or a VFX-capable post workflow. I'll be shooting in one location, in controlled lighting. All I really care about is image quality, especially skin tones and highlight rolloff. Has anyone used--or better, compared--these two cameras, and could give a preference? Any help would be hugely appreciated! Thanks.
  • Create New...