Jump to content

Search the Community

Showing results for tags 'color timing'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • Cinematography News
    • Lighting
    • Camera Operating
    • AC's & DIT's
    • Grip & Rigging
    • Visual Effects Cinematography
    • Grading, DI and Telecine
    • Students and New Filmmakers
    • Cameras Systems and Formats
    • Lenses & Lens Accessories
    • Camera Accessories & Tools
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Cine Marketplace
    • Business Practices
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Regional Cinematography Groups
  • Not Cinematography
    • Producing
    • Directing
    • Sound
    • Editing
    • Off-Topic
    • Forum Support

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Occupation


Location


My Gear


Specialties

Found 1 result

  1. It seems like all the color grading information out there is about how to make footage look dark and dramatic but I'm currently working on a comedy that could use its own touch of color timing magic. So, how does one go about grading a happy, lively story? What are the basic timing decisions? Common sense tells me that I would want to stick to the characteristic contrast curve and keep the midtowns meaty, but where do I go from there? Is there a highlight color that I should introduce? Do I want to do anything with my shadows? Skin tones? Or do comedies suffer when subjected to a grade? Thanks
×
×
  • Create New...