Starting a feature this week and the director wants a very "yellow springtime" look to our lighting. Mostly the highlights. Attached is a photo and isn't the best because the female is blonde as is probably natural backlight but this is the the rough tone.
So my question is: to get that warm almost sunset color without getting too red/orange, has anybody played with more yellow color correction on daylight lit scenes?
So on our HMI's instead of adding CTS or CTO for a little end of day glow playing more with yellows.
I've but aside (from LEE)
100 Spring Yellow
767 Oklahoma Yellow