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Jumping into Local 600 - when is it right?
Jacob Mitchell posted a topic in General DiscussionHowdy all, I'm curious to hear people's personal experiences when joining Local 600 as a DP. I'm currently a non-union DP in LA and doing well focusing solely on that, but I'm getting sore working with lower budget, non-union productions and wish to orient and guide myself in the right direction. I realize that joining the union will not bring me more work and magically make everything wonderful. I'm particularly curios to hear: What made joining the union seem like the right choice? What were the signs? Did you feel like you joined too early? Too late? Is there anything crucial someone trying to get on the path to the union should know?
International Cinematographers Guild to Field Workflow Panel at Cine Gear Los Angeles, June 3, 2014…The International Cinematographers Guild (ICG, IATSE Local 600) is producing a panel discussion on “New Workflow Choices and the Director of Photography” at the 2014 Cine Gear Expo in the Sherry Lansing Theatre on the Paramount Pictures lot this Saturday, June 7, from 10:15 to 11:30. The panelists are Paul Cameron, ASC, Director of Photography (Total Recall, Dead Man Down), Mark Doering-Powell, Director of Photography (ABC’s Super Fun Night; CW’s Everybody Hates Chris), Steven Poster, ASC, Director of Photography, National President, ICG (Donnie Darko; Someone to Watch Over Me), Andrew Turman, Director of Photography (Target, Lexus), Michele deLorimier, Digital Imaging Technician ( DIT) & Phantom Tech (Cover Girl’s Pink; Cream Reunion at the Royal Albert Hall), Bobby Maruvada, Digital Imaging Technician (DI colorist Project X, After Earth) and E. Gunnar Mortensen, Focus Puller (Amityville Horror: Locked In, Cooties). Digital Imaging Technician Joshua Gollish (Skyfall, Prisoners) will moderate. The panel will discuss how Directors of Photography and their crews encounter an ever-expanding range of approaches to color management and dailies. These new paths profoundly impact the DP’s artistic style and every aspect of their job, including on-set operations and creative environment and communication with the director, talent, editorial and postproduction. This group of leading DPs and other camera crew members will examine how their workflow choices on recent, high profile motion picture and TV projects impacted the filmmaking process, the craft and the product. http://www.cinegearexpo.com/83/ Press Contact: Rick Markovitz Weissman/Markovitz Communications firstname.lastname@example.org 818-760-8995