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Found 6 results

  1. Selling my Elements Micron 15mm dovetail/bridgeplate package with shim and shoulder pad. (this was primarily used with Sony F5/55 camera) The package is solidly built with quality workmanship in design and machining. Everything included is still in excellent shape and working as it should. This setup is for 15mm rods and was used primarily with the Arri MFF-1 follow focus and MMB-1 matte box on a Sony F5. The entire package consists of: 1x ELEMENTS MICRON 15MM DOVETAIL • Designed to be a scaled down version of the Arri dovetail for 17mm rods. This is shorter, thinner and lighter to a
  2. Hi Guys, Just looking to confirm some Sony F5 sensor size and lens crop factor. Sony F5 = Super 35mm sensor Super 35mm Crop Factor 1.5 So an 18mm lens on an F5 or any Super 35mm equivalent sensor is more like a 12mm lens? As 18 / 1.5 = 12 Is this correct? Thanks Steve
  3. Hi guys, I’m putting my F5/R5 Raw Recorder kit up for sale. It’s a complete, ready-to-shoot package, in excellent condition and has served me extremely well on commercial, narrative and documentary content, it's a camera that does it all. Package includes the following: - Sony PMW-F5 with 4k Internal Recording Upgrade - Sony AXS-R5 Raw Recorder - Sony DVF-EL100 OLED Viewfinder - 4x 64GB SxS Cards (1x SxS, 3x XQD + Adapters) - 2x 512GB AXS Raw Cards - Sony USB3 SxS Card Reader - Sony AXS Raw Card Reader - Element Technica Top Plate - Element Technica Side Plate - Element Technica Micro
  4. I recently posted this to lighting then realized this may be a better place to pose the question. I'm new to the forum and can't figure out how to delete posts so I apologize for any repetition. Anyways, I recently shot a music video and have run into a bit of an issue with the highlights. One of the hero props on this one was a set of floating, glowing orbs a la John Carpenters "Starman". The characters had them in most scenes. Images attached. I was shooting on a Sony F5 with the Raw recorder. We also had proxies at XAVC 2k going to SXS cards. I rated the camera at 12
  5. Shooting with Sony F5, the idea is to have a final film with a cinemascope look once it'll be projected. I know I can't have the choice but to shoot with the native aspect ration of 17:9 of the F5, I'll so put the letterboxing markers (2.4) that crops the native aspect ratio. My question is: do I lose lots of resolution once I put 2.4 mattes on the 17:9 native to create the cinemascope look? What could be the solutions? If I shoot 4K external could be a better compromise to the loss of resolution? Since I'm recording with an higher resolution then the internal 2K? (When I set the mat
  6. WANT TO BUY! Looking to buy used PL-mount camera in good condition and fair price. Preferably EU /Europe as i am in Sweden. Canon C300 Canon C500 Sony F5 Sony F55 Other PL cameras (Alexa, Red Epic) can be of interest as well. PM me with offer! Thanks
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