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Showing results for tags 'straw'.
So I’d like to know this: are there any particular scenes or films which in your view effectively used warming filters? But not only the warming ones, like 81 or 85, but also straw, antique suede, gold, coral, tobacco, or similar. And it also doesn’t have to be a particularly effective, but just something that you liked. Two, are there any cinematographers today who really like the filter look and use them even though you can do a lot in postproduction? Or any cinematographers of the past who loved to use them. Or a cinematographer who is particularly associated with a filter or liked to u
I'm gaffering on a short film this week, and had a basic selection of gels to chose from for the shoot from our university. I've got the standard CTB/CTO gels to use on our lights. I was looking for some CTS (Straw) to use on tungsten units as morning sunlight, however for some reason all I could get was No Colour Straw (Rosco #804). It seems to still produce a nice light with a slight yellow tint, which suits a morning sunrise. I was wondering what the different between normal Straw gel, and No Colour Straw gel is? I bet it's so minimal, but it would be good to know!