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Found 6 results

  1. I just read an article (http://nofilmschool.com/2016/02/cameras-used-sundance-2016-filmmakers-why) about the cameras used by DOP for the films at Sundance 2016, I notice there’re a bunch of film shot entirely or partially with BlackMagic, and cameras such as 7D, 5D Mark3 and C100. I see there’s no Sony a7 series cameras being used. What do you think you guys about the new Sony a6300 expected for march 2016? could it live up to be a camera for low budget film, with external record? being the internal sampling 4:2:0? what could the market be for it? or why would people prefer something like Black Magic and 5D Mark 3? Someone out here who shoots with the Sony a7 series and prefer it over something like BlackMagic? I’d love to hear any personal experience :) it’d be cool to open a discussion over these cameras
  2. I'll be shooting soon a short film (as DP), and I only have a small amount of choices in term of which camera I can use. I was wondering if anyone has personal experience to share as for how these cameras work in a low key light system, which of these cameras render the black at the best, with which one we can play with sort of gamma settings so as we can get a good latitude? I also have the opportunity to work with Panasonic AF101, but I don't like codec so much beside the fact it crashes the highlights very quickly and can't go beyond 2 stops 2 stops and a half in the blacks, so I was wondering if actually opt to shot with a DSLR. Any ideas? What about how each of them react in a low light situation, if I have to compare these cameras? CANON 5D Mark3 SONY A7s AF101 thank you so much!
  3. For sale, Movi M10 bought in February 2014 (I'm going for a heavier setup so I will need the M15). First-hand. I am the only one to use it on my own projects. Very well maintained. Perfect working conditions. Presents a few surface scratches. VERY IMPORTANT: I offer a day of training to the new owner. I will give him all the advices he need to choose the right accessories for his Movi. I will be available in New York starting from 10th of January 2015. I can also make a delivery in Paris at no additional cost. Comes with: -01 x transport case Pelican/Storm Case 'Cinema Oxide' 700usd New. Waterproof and shockproof. Ideal for the transport and the protection of the Movi. Minor Surface scratches on the outside and some small pieces of missing foam in the inside. -01 xMovi MR Kit. New, never used, transforms the M10 for drone use. 300 Usd -01 x Remote control Spectrum DX8 for dual operator use with it's charger. -02 x Batteries and a charger. Enough to take more than one day of shooting. -02 x Screwdrivers. -01 x Support. -Manual. Supports cameras up to 6 kg: BlackMagic, Red Epic, Scarlet, C100, C300, C500, Sony fs7, some reflex etc. Used 90% on a Canon 5 d MKIII. Price : 6400 USD or 5400 euros Negotiable.
  4. Hello, we are a start up production house from India making factual content for TV. For a travel show we are using the Panasonic GH3 as the main camera and the Canon 5D Mark 3 as B cam. Can someone suggest a good picture profile setting to match the footage from these two cameras? Looking for detailed profile settings
  5. A 13 year old made this video. It's absolutely astonishing. If you don't find this humbling and inspiring then you must be insane.
  6. Here my new site http://lucagrecofilm.wix.com/cinema searching for new jobs as cinematographer GEAR ​CANON 5D Mark II Sigma 24mm f 1.8 Sigma 50mm f 1.4 Samyang Cine 85mm f 1.5 Sigma 70-300mm f 4-5.6 Carl Zeiss 135mm f 4.0 Follow Focus Redrock Micro Field Monitor Lilliput 5D-II/o/p 7" LCD Hdmi 15mm camera rod Flycam 6000 with vest 150mm camera slider (also motorized timelapses) ​FRESNEL LIGHTS De Sisti Leonardo 1Kw x 3 De Sisti Magis 650w x 3 ARRI 150w x 2 ​FLUORESCENT LIGHTS KinoFlo type 8x55w bank Europass-CV-20130116-Greco-EN.pdf
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