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Found 2 results

  1. Would someone please share tips on working with Magic Bullet Looks? I usually start with my primary color-correction—balancing my Luma scopes, RGB parade and vectorscope in Final Cut Pro X—but would like to grade in Magic Bullet Looks. Does it make sense to do my primary CC *at all* beforehand if I know I’m going to use Magic Bullet Looks for grading afterward? Some people say, when using MBL, you should wait to dial in your scopes as the last step. Thanks for your thoughts!
  2. I had been using a Canon t5i for years and was pretty disappointed in it. I had sworn off DSLRs for video until I saw RAW footage from my friends 7D after he installed magic lantern. When i saw the specs for the 7D Mark II my mind was a buzz with the possibilities that where now open to magic lantern and i bought one thinking the ML community would be working on it... How sadly mistaking I was... The ML forums are filled with Mark II owners pleading for a Magic lantern port and ML devs basically telling them to go screw themselves... Now i'm stuck with a camera only slightly better than the one I had before with the only possible saving grace being the HDMI out. Supposedly it's a clean, uncompressed 8bit out but i haven't found much information on it or people recording from it. I don't like the idea of having to spend more money to bypass Canons terrible compression but it's better than nothing. But before I do I want to make sure i'm not wasting my time. Is the HDMI streem good enough to justify the cost of an external recorder. If so what recorders do you recomend? I've been looking at The Blackmagic HyperDeck Shuttle 2 which records RAW and the Atomos Ninja 2 which only records ProRes. Any thoughts are appreciated. Thanks in advance.
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