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Found 6 results

  1. Here is the first look at the second collaboration between Woody Allen and Vittorio Storaro: It was posted yesterday. The film will premiere on 14 October 2017 at the New York Film Festival and will be available on 1 December in select theatres. IndieWire has all the best shots and The Woody Allen Pages has a shot-by-shot breakdown. It looks very candy-coloured, doesn't it? And not much unlike the last film even though the time periods are different. In fact, it seems like a continuation or a variation on a theme. People are already declaring it visually stunning and saying
  2. Have you read that Vittorio Storaro is the next cinematographer to work with Woody Allen? One Web site says "reportedly": http://blogs.indiewire.com/theplaylist/legendary-cinematographer-vittorio-storaro-reportedly-lensing-woody-allens-2016-film-will-be-set-in-1930s-20150807 the other one seems sure that it is the case: http://www.woodyallenpages.com/2015/07/legendary-cinematographer-vittorio-storaro-joins-woody-allens-2016-film/ As always with Woody Allen's films, and many others, little is known about the film. It seems it will be set in the 1930s.
  3. Wait! Don’t roll your eyes just yet! I know that many of you will think: “Oh, no! Not another Woody Allen thread! For God’s sake!” But this is not about Woody Allen; it is much more about Eigil Bryld (just in case you didn’t know, it seems that, as per the IPA notation on Wikipedia article, his name is pronounced, approximately, EYE-ghill BRILL) and how this will all turn out visually. And, it seems from the photos, it will look great! Many articles in the last few days state that these are the first photos http://deadline.com/2016/08/crisis-in-six-scenes-photos-woody-allen-miley-cyrus
  4. Storaro is back. And so is the Sony F65. http://www.hollywoodreporter.com/behind-screen/cinematographer-vittorio-storaro-filming-cafe-911441
  5. What are Woody Allen’s films known for when it comes to their cinematography? I see that he himself and David Mullen talked about his love for warm colours. Has he ever talked about why he worked with so many famous cinematographers and why he chose each one for the particular film they worked together on? I’m especially intrigued by these one-time cinematographers and how he found them, such as Wedigo von Schultzendorff, whose work on Hollywood Ending I loved, or why only now Vittorio Storaro. What’s Up, Tiger Lily? Kazuo Yamada Take the Money and Run Lester Shorr Bananas Andrew M.
  6. I just finished watching Manhattan again. Once again floored by Gordon Willis' photography, does anyone know what lenses he used for the exterior shots with only ambient light? There are quit a few...not just the famous one by the bridge. Even better would be any articles I might be able to get my hands on. Thanks!
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