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  1. Starting a feature this week and the director wants a very "yellow springtime" look to our lighting. Mostly the highlights. Attached is a photo and isn't the best because the female is blonde as is probably natural backlight but this is the the rough tone. So my question is: to get that warm almost sunset color without getting too red/orange, has anybody played with more yellow color correction on daylight lit scenes? So on our HMI's instead of adding CTS or CTO for a little end of day glow playing more with yellows. I've but aside (from LEE) 100 Spring Yellow 767 Oklahoma Yellow 101 Yellow 102 Light Amber 104 Deep Amber Has anybody played with these colors on bigger sources? (18kHMI / 6kHMI) I like the look of 100 Spring Yellow but am afraid will start to feel green when blasting with a big unit.
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