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Found 2 results

  1. It's something that bugs me every time I see it: simple shot, two people are facing each other. However, during the singles, the one previously on the left side of frame is framed on the right, cutting out their scene partner and leaving negative space behind their head. In general, it always looks more natural to me to put someone who is looking frame right on the left, especially in a dialogue. If they are being pensive by themselves, it can work, as it seems to imply they are deep in thought, or maybe the scenery is just that good, but otherwise it strokes me as bad framing.
  2. Hi everybody, I was reading a previous issues of "Film and Digital Times" and I came across a portion in wich the editor ask one of the lens engeneers behind the signature primes: -Q: "What happens with a large format lens like a signature prime on a Super 35mm camera like an Alexa SXT?" -A: "The LF lens looks the same as the S35 lens. An 18mm LF lens on the S35 camera looks just like an 18mm S35 lens on the S35 camera" Maybe I lack of knowledge, but I thought we were going to get a narrower field of view. So following the same logic for example if I put a 50mmn Master prime on an Arri 416 plus my lens would give me the same FOV as, for example, a 50mm Ultra 16 prime. I'm really confused about what happens when we put a bigger format lens on a smaller format sensor. Thanks in advance!
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