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Found 3 results

  1. The camera has 1426 hours mainly from studio broadcast use. Includes four 128GB SanDisk CFast 2.0 cards ($1200 value). This package purchased new would cost $11,200. Five cards are pictured but only four will be included. Selling to move on to RED for different work. I am the second owner. Includes 1 BP-A30 battery and charger. All buttons and slots fully functional. Cards have cosmetic blemishes but work perfectly. Cheers!
  2. Client just sprung a 4K/PAL/25FPS requirement for an upcoming shoot here in US. Already had three C300 II's booked, so the camera is capable. This will be a first for me so I did a blitz of research, came up with these settings etc. Below is what I provided the rental house, who are also a bit puzzled, but efforting. Suggestions, observations, GOTCHAS, please. Many thanks. SYSTEM: PAL RESOLUTION: 4K FULL AUDIO: 48khz AUDIO SAMPLE RATE (please confirm this makes sense) CODEC: XF AVC 10BIT 4:2:2 ISO 800 REC 709….OR 2020….NEED ADVICE HERE. 25FPS (YES, 25) 180DEGREES JAM-SYNC TIME-OF-DAY 24-HOUR CLOCK, FREE RUN DROP -FRAME REC OUT 4K RAW: OFF RELAY RECORDING ABB PERFORMED It’s an auditorium shoot. I need Cams A/B to stay tack-sharp on podiums, A head-on, B to the side, Cam C does roving cuts and needs to be able to select focus at the shooter’s discretion. So, FOCUS SETTINGS: “C” CAM, “One Shot” focus mode, Face Detection ON, “Face Only” ON, no tracking. “A” and “B” CAMS, "AF Manual Boosted”, “Face Detection” ON, and I think….”Tracking” off, but we should discuss. All cards verified formatted (sorry, and thank
  3. I'm shooting a fairly low-budget short film in February and trying to decide what camera system to go for. I won't need slow-motion, low-light wizardry, or a VFX-capable post workflow. I'll be shooting in one location, in controlled lighting. All I really care about is image quality, especially skin tones and highlight rolloff. Has anyone used--or better, compared--these two cameras, and could give a preference? Any help would be hugely appreciated! Thanks.
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