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Found 8 results

  1. Taken from the industry showcase and networking channel of IN / DEVELOPMENT. Got their YouTube here: https://www.youtube.com/c/indevelopment Below is copy-paste, but the links are super interesting and Stephen's insight and honesty is wonderful. The series seems to have just started so might post more if they're great. Can't see anyone else mentioning them before. - - - Joe Douglas talks to fellow cinematographer Stephen Murphy about his professional journey, a few memorable productions and his view beyond the current pandemic. FEATURING SCENES & COMMENTARY FROM -
  2. Hey Guys, Im curious on getting seen or how to get in contact with agencies? How have you guys gotten your agents? I have done a lot of research and there is not much info about how DP's get agents. Do DP's email agencies their reel and make the first contact or do they come find you? What is everyones experience with this. I want to contact agencies myself but dont know if this is the right path. Thanks for you advice!
  3. Okay, guys and gals!! I have a few questions that hopefully the wealth of knowledge here can answer. First a disclaimer, (I actually like disclaimers for some weird reason): My goal is to lens commercials, films (short or long format), and the occasional music video. If given the opportunity, of course. I currently work for a production house that does very little in all those categories. So in the best interest of my personal goals I'd like to submit the following questions.: Is there a benefit to aligning oneself (as a cameraman/cinematographer/DP) to an ad agency? What are the chall
  4. This may be the silliest post ever but here goes... I was recently approached by a very successful Director and asked if I would be interested in shooting his next film. I've only been shooting for three years. I have shot broadcast commercials and brand videos mostly, never a feature. Part of me couldn't image why this question was asked of me in the first place. The project is absolutely NOT a small budget independent film. I guess he sees something he really likes, but how the heck could I know if I'm ready for something like that? Obviously a wide open topic and there's limite
  5. Hey guys, just thought it would be great to hear from all you out there, what's your favourite thing about working in film industry? What's been the best thing you have worked on? Cheers, Jordan ^_^
  6. Hello, I found these two articles about the Top Ten Schools in UK & US. I'm mostly agreed but I wonder what this type of ranking can worth? I mean is this accurate? I know finding an University can be confusing.I know I'm confused myself right now looking for mine. But I wonder.... So In you opinion What are the best school and do you think, this kind of ranking is trustable? Here the links http://talesfromtheargo.com/uk-film-schools/ http://talesfromtheargo.com/top-us-film-schools/ Cheers Guys PS : I read a lot of Bad reviews on MET Film School but apparentl
  7. Masterclass with Steven Poster, ASC - Donnie Darko Don't miss this conversation! Seating is limited & lunch is included. Saturday, November 15 from 10:00 AM to 3:00 PM Following a screening of Donnie Darko, cinematographer Steven Poster, ASC will present an overview of his collaboration with visionary director Richard Kelly and deconstruct key scenes from the film. Poster will also deep dive into his projects and inspirations, and share his secrets about how to persevere and flourish in the film business across many years. register here: http://bit.ly/1tJvE3e
  8. I was wondering what you think contributes to making a cinematographer better than average, and even truly great. In terms of not only the success of his career, but also his craft, self discipline and general habits we might learn from. Roger Deakins, Emmanuel Lubezki, Gordon Willis come to mind, but also anyone you personally admire who might not be as well known. Share your thoughts, and also feel free to post about any time you met a cinematographer who you feel is a role model to you, and what kind of impression they made.
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