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Found 2 results

  1. Hey all my name is Dominic, im just posting on the off chance I can find a collaboration with a film maker/cinematographer. Here is a brief overview about me: "Im a guitarist based in Melbourne Australia. I enjoy creating original music and soundscapes. Im also a bit of a gear head and like to achieve the highest quality recording results with the gear I have. I run an akg c451b into a Focusrite ISA one preamp. Recording software is pro tools."I have a back ground in flamenco guitar, which influences a lot of my music however it does not necessarily dominate. Some tracks more than others, it is more of a creative inspiration than a driving genre." Here is an original track I recently wrote and recorded, its on bandcamp and soundcloud: Please feel free to have a listen and get in touch if you have a potential collaboration in mind. Basically im looking for a creative/artistic non-commercial project. You may already have one finished and just need music etc. Please feel free to comment on the music, is it suitable for film/video etc. cheers guys! https://dominicchipperfield.bandcamp.com/releases
  2. Hello all, I am in my final year of studying film production and I am currently doing research about cinematography and color grading. I am trying to find out more about the collaboration/ workflow between the DP and the Colorist and the issues regarding the authority over the look. I am also looking into whether new, aspiring cinematographers should be their own colorists. I was wondering if you could please share your opinions about this from your experiences so far. As a Cinematographer, how were your collaborations with Colorists ? (and vice-versa). What can DPs/Colorists do to ensure they can work together successfully? If you are working both as a Cinematographer and a Colorist, why did you choose to have both roles and how difficult was the transition from cinematography to color grading? Your help would be much appreciated!
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