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Found 3 results

  1. Hello, I am preparing to scan 610m of 16mm color negative in 2k. The telecine operator offers uncompressed ProRes, DNG, and DPX. I will be editing /grading on a macbook pro that can't run DaVinci. I have graded raw files before (RED and Black Magic), but never a scanned negative. My question is, which format should I ask for? I want to be able to adjust the color and exposure to the same extent I was able to with RED and cinema DNG files. The operator said that these DNG's are not the same as BM DNG's please help!
  2. It doesn't come up often, but occasionally we get a ProRes file that we need to convert to DPX. In the case of the current situation, it's a ProRes 422HQ 1080p file, but we need DPX for our restoration system. Normally I'd do this in AfterEffects, but I'm wondering if there's a better/more efficient way to do it, say with ffmpeg? Since we don't have AE installed on the restoration system, doing it on one machine and then moving the files means a lot of waiting for file copies to complete. So I'd like to be able to do it right on the restoration PC to save some time. Googling mostly brings up conversions in the other direction: DPX->ProRes, but that's not what we want here. My main concern is avoiding any color-related issues when using ffmpeg - gamma shifts, color space changes, etc. Any suggestions or recipes? Thanks! -perry
  3. I have my movie in about 150,000 dpx files. I need to create a .mov proress 444. Everyone is telling me to use davinci resolve (lite) since it's free. However, I am reading that you can only output HD and SD and I need it in 2k... I had it color corrected by a colorist using da vinci... and they left the country. I have FCP and compressor. not compressor 4 though. I tried color, and FCP and compressor but nothing works... does Compressor 4 work or is there a software I could get a demo or trial version of and do this myself?
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