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Found 2 results

  1. Hi everybody, I'm gonna shoot a thesis project at the end of the month and I started thinking about the look I'd like to achieve. I'm not super familiar with filtration and I wanna try to work with filters more rather than put all my trust into post production and color correction. I'm gonna shoot in the woods and the director would like to have a desaturated/soft/ dusk kind of look. I'll have to shoot day for dusk because I'll probably have access to the location during the day and not during actual dusk hours. I'll go to the filter gallery in NYC to make some tests but I'd like to hear everybody's opinion in order to make up my mind if there's a specific kind of filters I should check out. To be more clear I'm attaching a reference photo given to me. If it makes any sense I'm also planning on renting the artem exterior fogger. Thank you so much in advance for the help!
  2. Hi everyone! Im investigating solutions on how to light a 60+ street party (people sitting by tables under a tent without walls in the middle of a suburban street) from early dusk until nighttime. My main concern is kelvin, in camera and on the lights My strategy so far is to use 1.2 and bigger HMI lights (5600k) on background housing and gardens, to give depth to the pictures of people sitting at the table. For the actual table/people-lighting, I plan on using china balls from the roof of the tent, gelled with half CTB somehow, to end up at 4300K. Other paper/lamps and globes will be left at 3200, to give warm hotspots and bokeh around the set. In camera kelvin will then be set at 4300k The set needs to be quite clean of stands and able to shoot 360. The china balls will be a part of the decoration as well as main light for people around the table. Will be shooting on 4x c300 My main concern is that my background will still be bluer than I want it. This party should have a very warm feel to it. Am I better off doing everything except practicals and decor at 5600k and in-cam? Thanks for any input! Best regards Howard
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