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Found 5 results

  1. I have 2 codex onboard m recorders (Cdx-3010) and 8 256gb drive packs, but no reader. I was thinking about seeing if anyone had a desktop reader (Cdx-5500) for sale. I'm also open to offers for the recorders if I can't find a reader of my own. The Codex M recorder can record uncompressed or wavelet cinema quality HD material plus audio and metadata onto a single, removable data pack. When shooting is done, it offloads material much faster than real-time. Can record 4:4:4 and ARRIRAW. Was designed with the Alexa in mind and was used in many feature films. Would love to use them or sell them to somebody that already has a codex reader.
  2. I was planning on purchasing a Shogun Flame for the my A7RII before I heard of the new release of the Ninja Inferno, they both supply the XLR Phantom power I was looking to add my my recorder (why ninja flame wasnt an option) From what I can see the biggest difference is that the Shogun has a SDI input and output and the Ninja can record up to 60FPS at 4K, neither of which seem apply to the A7RII but I guess would depend on which of the two is more useful for future projects with different cameras. Is there anything I'm not taking into account for A7 series users? I also read today by a B&H staff member that this device shoots 4K 60fps on the sony A7SII however this seems unlikely, but if anyone has any information would be great to hear it.
  3. I’ve got something I’ve been wondering for over and over this past weekend! I read that downscailing from 4K to HD can produce the equivalent of 10-bit luma. Like to say: 8bits 4K = 10bits HD. Is that in fact true? how is it possible? the GH4 records externally 10bits 4:2:2, the Sony A7 II with an external recorder only 8bit 4:2:0, so I wonder I shoot with the Atomos Shogun (not real 4K but UHD I think) and then I downscale it to to I get a true 10bits 4:2:2, with S-Log3, nicer to grade with, that would work cos of 8bits 4K=10bits HD? or it doesn't work this way? thank you :)
  4. hello guys! I might be shooting my first low budget feature film as DOP, I'm so excited about it, I won't get paid but the expenses, but I think it's alright as I finally get the chance to work on a first feature. The director owns a Nikon D7200 and wants to use it for the shooting, and I can't make him change his mind. It shoots 4:2:0 8bit internally, so I suggested him to work with an external recorder like the Atomos Ninja 2 to record ProRes and 4:2:0. My question is if anyone has some experience with this camera, I'd love to hear, I believe you can always learn so much from everyone and from people's feedback and experiences, so I wonder if anyone has some experience to share using the D7200 (and maybe with an external recorder). thank you a lot :) also, I know the Atomos Ninja 2 records at full HD, 4:2:2 10bit, but I read if you pair it with the D7200 you can record 4:2:2 8bits. So my question is, is the internal 8bit of the camera a limitation cos you can't go higher even if your external record allows you to? or you can actually shoot with the Ninja 2 and D7200 in 10bit? (it's a general question on any camera paired with ext recorder) thank you guys!
  5. using the A7s, anyone shot Pro Res with the Atomos Shogun, UHD 4:2:2 ? any personal opinion on that? how's the signal through the HDMI output? thanks!
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