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Found 2 results

  1. Hello, Here's the shot: beads are thrown or projected on a surface and come to form a word. There's no need to see someone's hand doing the throwing. So the beads could just fall. Part of the solution lies in showing this shot in reverse: we start the shot with the finished word and then, somehow, see the words "jump up" towards the camera. That would suppose that the camera is looking up at the beads as they call towards the lens. That's what I can't figure out: how to make the beads hold in the shape of the word and fall towards the lens at the same time. There's probably no solution to this, at least no easy solution. Another approach would be to shoot this as a stop motion sequence and go from the formed word to an empty canvas, after all the beads have been animated out of the frame. I would be happy to hear people's thoughts on this! Thanks. Alex
  2. Hi everybody, I'm gonna shoot a thesis project at the end of the month and I started thinking about the look I'd like to achieve. I'm not super familiar with filtration and I wanna try to work with filters more rather than put all my trust into post production and color correction. I'm gonna shoot in the woods and the director would like to have a desaturated/soft/ dusk kind of look. I'll have to shoot day for dusk because I'll probably have access to the location during the day and not during actual dusk hours. I'll go to the filter gallery in NYC to make some tests but I'd like to hear everybody's opinion in order to make up my mind if there's a specific kind of filters I should check out. To be more clear I'm attaching a reference photo given to me. If it makes any sense I'm also planning on renting the artem exterior fogger. Thank you so much in advance for the help!
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