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Hello, When you are metering a scene, do you meter for the camera's dynamic range, or for the 6 stops in SDR or the 13+ stops in HDR? For instance, if your camera has 6 stops of highlight dynamic range, and 8 stops of shadow dynamic range, do you keep everything in your scene between those 14 stops or do you keep everything in between the lets say 6 stops of standard dynamic range? I hope this question makes sense! Thanks in advanced to anyone who can help! - Matt
Hi, I'm Ben, a learning camera assistant who chose not to study film and is now catching up on production etiquette and techniques! I recently pulled focus on a short film for a great DoP (Tansy Simpson) here in London and at one point she asked me to push the iris to a 'two plus' Now i assumed this meant something like a t2.1, or did it mean 2.5? I'd love to get clarification on this as I was too worried she might think I was an amateur if i asked! Thanks in advance for any help offered, Benjamin