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Overexposing and diffusing?


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The look I'm trying to get is similar to that over-exposed, washed out look David Fincher gave Madonna in her "Respect Yourself" video. (Anybody remember that one?) The lighting was intense, practically washing out any distinct features on her face. As if the f-stop was left wide open with a heavy diffusion filter laid over it. Another example would be several amazingly overexposed shots by Robert Richardson in JFK. (Although those shots were B&W and I want to achieve this in color.)

 

Can anyone suggest how I could produce this look on 16mm film? (Using a reflex Bolex w/3 prime lenses.)

 

What kind of film stock should I use?

 

What kind of lighting?

(The shot will be an extreme CU of a face, so I shouldn't need more than one light, right?)

 

What kind of light reading should I go for?

 

And how many f-stops over the reading to get a substantial overexposure?

 

What kind of diffusion filter?

 

Any suggestions would be most welcome...

 

Thanks in advance!

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You are on the right track: hard lighting on the highlights, overexposure, diffusion, and possibly skip-bleach ECN-2 processing can give that "washed out" look. You need to be careful that the negative doesn't become so dense that printing or telecine transfer is problematic.

 

Here are some examples on the Kodak website:

 

http://www.kodak.com/country/US/en/motion/...sing/skip.shtml

 

http://www.kodak.com/country/US/en/motion/...onspiracy.shtml

 

http://www.kodak.com/country/US/en/motion/.../silenceP.shtml

 

http://www.kodak.com/country/US/en/motion/...1/traffic.shtml

 

You have an extra measure of control if you telecine or make a DI.

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