BakerSmith Posted September 2, 2006 Share Posted September 2, 2006 Hi, I'm going to be using a PD150, and I wanted this dreamy golden glow in an exterior shot. Should I trick the white balance and film it like that, or shoot it normally then add the glow in post? My worry is that the footage will look like crap when I review the footage on a monitor, so to be safe maybe I should do it in editing? Total newbie. Thanks for your help. Baker S. Smith Link to comment Share on other sites More sharing options...
Michael Collier Posted September 2, 2006 Share Posted September 2, 2006 (edited) If you trick the whitebalance with warm cards, you are grading the information when its in uncompressed state. If you have to do it in post you will have more noise, especially in a low-chromanace range of mini-DV. If you can test and find a good look with warm cards it will definatley improve your quality. Most warm cards come in 1/2, 1 and 2. Not sure if they exactly corrilate to 1/2, 1 and 2 stops, but they seem close enough. When A scanner darkly was shot, Shane Kelly took a swatchbook from one of the gel manufaturers and ballanced through that. That would give you a lot to test, and probably some unique looks can be found. also try a soft filter on the camera to create that 'glow'. Edited September 2, 2006 by Michael Collier Link to comment Share on other sites More sharing options...
Premium Member Phil Rhodes Posted September 2, 2006 Premium Member Share Posted September 2, 2006 Hi, Yes, trick the white balance - although you want bluish cards/lighting/gels to balance with if you want it warm. If you balance on a warm card, it'll go cold. Phil Link to comment Share on other sites More sharing options...
BakerSmith Posted September 5, 2006 Author Share Posted September 5, 2006 (edited) If I have no access to gels, can I just get a blue board/paper to do it? Not sure if I need professional cards or if anything blue will suffice? Thanks a lot. Edited September 5, 2006 by BakerSmith Link to comment Share on other sites More sharing options...
Premium Member Phil Rhodes Posted September 5, 2006 Premium Member Share Posted September 5, 2006 Hi, Yeah, anything. The camera assumes you are pointing it at something white. If you give it an image that's not white, however you do that, it'll bend its DSP setup so it comes out white. Doesn't matter how. You can get quite creative like this. Phil Link to comment Share on other sites More sharing options...
Michael Collier Posted September 5, 2006 Share Posted September 5, 2006 I went online and found a website with professionally made warm cards. I coppied the picture and used a sampler to get the color swatches off of it. After some testing and adjustment, I have cards I can print out of an injet that are relatively close to the professional cards. Link to comment Share on other sites More sharing options...
Ken Cangi Posted September 9, 2006 Share Posted September 9, 2006 (edited) Here is a reference link that might help: http://www.warmcards.com/digital_camera.html Edited September 9, 2006 by Ken Cangi Link to comment Share on other sites More sharing options...
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