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Arri/Zeiss Master Primes


Adam Frisch FSF

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That's not really that much different from now. Many smaller rental houses don't have the entire complete set of every prime lens set. They own the lens' that are going to rent out the most. To fill in they subrent from larger rental houses, which mostly have complete sets.

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Arri and Zeiss always felt that they could improve on the Ultra Primes, which is why the Master Primes.

 

Up to now lens design has always been a compromise between breathing and close focus, but with the Master Primes this has been solved due to the use of dual floating elemtents. While the Ultra Primes do breathe a bit, this has been eliminated with the Master Primes.

 

I don't think the range is overkill (except maybe the 32mm and the 35mm), it is the usual range one encounters on a feature film. If anything one will need to complement them with very long (135mm and 180mm) and very short (10mm, 12mm, 14mm) Ultra Primes.

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