Miguel Bunster Posted October 4, 2007 Share Posted October 4, 2007 Hi, Hate to ask but I havent been able to find an article about Treaining day and I am sure i so one in ASC Mag..may be wrong. Any direction swould be welcomed. Thanks! M Link to comment Share on other sites More sharing options...
Miguel Bunster Posted October 4, 2007 Author Share Posted October 4, 2007 Oopps and forgot about Friday Night Lights....as well any guidance would be great! Thanks M Link to comment Share on other sites More sharing options...
William A Chapman Jr Posted October 4, 2007 Share Posted October 4, 2007 The ASC website list all the back issues, I took a look but did not see them listed, I could have missed them though. Also check out the ICG website they might have it if AC dosen't Link to comment Share on other sites More sharing options...
Miguel Bunster Posted October 4, 2007 Author Share Posted October 4, 2007 I did, checked all, ASC web site has not lsited the 2001 (when the film came out), checkd artfull text data base too etc...no luck... brbrbrb Link to comment Share on other sites More sharing options...
Bobby Shore Posted October 4, 2007 Share Posted October 4, 2007 I did, checked all, ASC web site has not lsited the 2001 (when the film came out), checkd artfull text data base too etc...no luck...brbrbrb I just ripped this off another reply to the exact same question from a couple years ago... "Man on Fire" was covered in the April 2004 issue of International Cinematographers Guidld magazine [iCG] Film stocks: 5284 Expression - often pushed 1-2 stops for night and day interiors and to supplement with 5274 and 5248 for daytime, Cameron mentioned the '84 "had significant grain that just boiled in the high [lights] Kodak reversal 5285 cross processed and pushed as needed Cameras: (2) 35mm Panavision Millenium XLs (2) Arri 2C hand cranked (1) Arri 435 HS (2) 16mm Aaton XTR Prod (1) 16mm Aaton A-Minima A total of 17 cameras were used in the scene where the club explodes, 4 in fireboxes and one over a mile away to catch the explosion. Lenses: several 11-1 zooms 135-420 lenes complete set of Mark II primes Super 35 2:40 - special ground glasses were made for the 16mm cameras As mentioned in a previous post, they would often back crank the cameras, sometimes stopping down the aperture, and [sometimes] covering the lenses and then exposing the film again. Lighting: (partial) 12K HMI Pars 1200 HMI Pars 7K Xenons 2K Practicals Par Cans Kino Flos 12 light maxi brutes, used on dimmers at times. Additional Info: Cameron favors Rosco Cal Color gels and used a combination he has employed on other films like "Gone in Sixty Seconds' [American Cinematographer article online at the AC site] for a night scene outside the club that Denzel Washington's character, Creasy, destroys in the building. Apricot and Cal Color 30 on 12K HMI Pars for a sodium vapor look and Full Plus Green and 1/2 Blue on other 12K's for a Mercury Vapor look. When Denzel goes inside the club, Cameron used 20 Data Flash heads around the room in a circular chase pattern and 50,000 watts of light from another dozen or so Lighting Strikes units, combined with 2 7K Xenons hitting a disco ball in the center of the room. Another 20 + HMI 1200 Pars and 2Ks accented the architecture of the building along with 50 or more fluorescent cool white tubes. The practicals were accented with Cal Color Yellow 30 to dirty them up. Other bulbs were left bare and Kinos were hidden around the room. Link to comment Share on other sites More sharing options...
Bobby Shore Posted October 4, 2007 Share Posted October 4, 2007 sorry man, I was just reading about man on fire in another forum topic and got the two confused... guess Denzel's just that good. Bobby Shore DP LA/Montreal Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now