Sam Ebrahim Posted April 26, 2010 Share Posted April 26, 2010 Hello all, Any help on this issue would, as always, be hugely appreciated. Will be shooting my Grad film in 3 weeks time. Filters (bar some questionable uses of Pro-Mists for a Student Commercial), are something I've overseen up until now. It would be nice to be at least getting some out during test shoots so I'm wondering - after a quick explanation of the project - whether you'd be kind enough to offer suggestions/horror stories whilst I look in to options myself. Format: S16mm Stock - Fuji Vivid 500T (8647) for Interiors, 160T (8643) for Exteriors and F-64D (8622) for Beach Scenes Camera and Lenses: SR3 w/ Cooke Sk4's (16 & 35) The film centers itself around a widowing ex-journalist who lives in a bungalow by the British south coast. Here are some images of the main location sans set design: Living Room Living Room 2 Bathroom Hallway The Director of the project is taking some aesthetic inspiration from Vincent Gallo's 'Buffalo '66'. I myself have found Red Riding 1974 to be a good referential starting point. Here's a link to the trailer if needed (apologies for quality): http://www.youtube.com/watch?v=H0GbxNqDBM4 Maybe it's because I'm Northern (where we do what we want!)? I don't know. Anyway, during daytime scenes within the location above I plan to use/augment/replicate only natural light filtering in to the rooms for the most part. During night-time interiors I really want to embellish the practicals; getting a dirty, yellowy warmth out of the room. Any filters spring to mind that may aide me styilistically? Apologies for such a long post. Any information would be much appreciated and don't worry, I'm researching all this myself, I'd just be interested in the first-hand experience you all have. Thanks, Sam Ebrahim Link to comment Share on other sites More sharing options...
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