BJ Galinato Posted April 19, 2005 Share Posted April 19, 2005 I'm about to shoot this scene in a small set with two 12ft high boards attached together as hospital walls. In the middle of this small set (since we dont have any budget to shoot in a real hospital) is a hospital bed and monitors and an oxygen tank. The scene is of a woman giving birth and three doctors are on hand to assist the woman. What would be the best lighting set-up that won't require too much equiptment and less set-ups for different scenes like close ups, tool and monitor shots. I know this may sound crazy since each scene should be lit differently but this is for a television and time is of the essence when shooting. BJ Link to comment Share on other sites More sharing options...
Gordon Highland Posted April 19, 2005 Share Posted April 19, 2005 Lots of hard overhead top light, like you would have in an operating room. Use a white sheet over the woman, and it will bounce back up into the surgeons' faces. Might use a ProMist or similar diffusionfx filter so the hot white edges glow. A couple of lights in the background maybe bounced off the ceiling (or cards) for general illumination. Hospitals are "cold," so a greenish or bluish cast makes sense, which you could achieve through a false white balance, fluorescents, or in post. Link to comment Share on other sites More sharing options...
BJ Galinato Posted April 21, 2005 Author Share Posted April 21, 2005 Lots of hard overhead top light, like you would have in an operating room. Use a white sheet over the woman, and it will bounce back up into the surgeons' faces. Might use a ProMist or similar diffusionfx filter so the hot white edges glow. A couple of lights in the background maybe bounced off the ceiling (or cards) for general illumination. Hospitals are "cold," so a greenish or bluish cast makes sense, which you could achieve through a false white balance, fluorescents, or in post. <{POST_SNAPBACK}> Thanks Gordon! I also asked a director about this and he had similar suggestions about the coldness of the look. I also like the hot white edges glowing. It's also what I had in mind and it's just good to know that someone as experienced as you (I'm not a DOP nor a director by the way, just a clueless art director wanting to shift careers) had the same vision. Anyway, I was about to do this as my first directorial job but it got canceled due to a change in direction. I appreciate greatly your interest in giving me a hand. Link to comment Share on other sites More sharing options...
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