Premium Member Brian Wells Posted April 29, 2005 Premium Member Share Posted April 29, 2005 Having never had been involved in an anamorphic film project, I have been learning about the format. I understand the (rudimentary) differences between 2:39 35mm and matted Super35mm and the practical applications for each. I often read discussions about the aesthetic of the lens flare formed in an anamorphic. This appears a characteristic that cinematographers prefer and are quick to point out that rear-element anamorphic lenses lack this aesthetic. What I am unclear on is: How do you recongise an anamorphic flare when you see one? Thanks you, Brian Wells Link to comment Share on other sites More sharing options...
Premium Member Kevin Zanit Posted April 30, 2005 Premium Member Share Posted April 30, 2005 It generally will steak a strong light source horizontally. Some Anamorphic lenses have a blue color to the streak, some more yellow, some neutral. Essentially if you are familiar with a non-scope lens flare, you will quickly realize an anamorphic one just looks different than anything you would get with non-scope lenses. Kevin Zanit Link to comment Share on other sites More sharing options...
Premium Member Brian Wells Posted April 30, 2005 Author Premium Member Share Posted April 30, 2005 Much appreciated. Thanks. Link to comment Share on other sites More sharing options...
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