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Anamorphic Flare


Brian Wells

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Having never had been involved in an anamorphic film project, I have been learning about the format. I understand the (rudimentary) differences between 2:39 35mm and matted Super35mm and the practical applications for each.

 

I often read discussions about the aesthetic of the lens flare formed in an anamorphic. This appears a characteristic that cinematographers prefer and are quick to point out that rear-element anamorphic lenses lack this aesthetic.

 

What I am unclear on is:

How do you recongise an anamorphic flare when you see one?

 

Thanks you,

Brian Wells

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It generally will steak a strong light source horizontally. Some Anamorphic lenses have a blue color to the streak, some more yellow, some neutral.

 

Essentially if you are familiar with a non-scope lens flare, you will quickly realize an anamorphic one just looks different than anything you would get with non-scope lenses.

 

Kevin Zanit

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