David Christopher Posted March 20, 2004 Share Posted March 20, 2004 What is the current technology involving costs, scan rates? I shot a short film in super 16 about 15 mins. with titles, It was shot on 7218 with dark interor effect. Exterior night source with cast rain and wind effects. I'm concerned with grain with a standard optical blow-up. My exposure at key was 1 to 2 stops under at about 4200 kelvin. I wish to grade the film to effectivly 5500 kelvin and emphasize the color red in one sceen ( blood ). Is going to 2k worth the total extra cost and what is the total extra cost. I have called Cinesite for an estmate. What other alternitives would you recommend. David Christopher Link to comment Share on other sites More sharing options...
Premium Member John Pytlak RIP Posted March 30, 2004 Premium Member Share Posted March 30, 2004 Some Super-16 productions: http://www.kodak.com/country/US/en/motion/...enselessP.shtml http://www.kodak.com/country/US/en/motion/...002/kingP.shtml http://www.kodak.com/country/US/en/motion/...dragonfly.shtml (used Spirit DataCine DI) http://www.kodak.com/country/US/en/motion/...003/meinP.shtml http://www.kodak.com/country/US/en/motion/...003/hardP.shtml Link to comment Share on other sites More sharing options...
Dirk DeJonghe Posted April 10, 2004 Share Posted April 10, 2004 David, You may want to consider a hybrid solution: do only the shot that needs 'something' on DI. We do both optical and digital blow up and it is still very hard to match price and quality of the optical process. Doing a test of 30 seconds of the same shot digital and optical will be interesting. Dirk DeJonghe www.color-by-dejonghe.com Link to comment Share on other sites More sharing options...
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