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Posted (edited)

Dear Cinematographers,

 

I have tried splicing super 8 film many times but am nevertheless relatively new to it. Every time, to varying degrees, the presstape or cement splices exhibit a slight perturbation or glare; and so I am wondering, from the need to achieve a moderately professional splice, what is the best method for diminishing this effect?

 

Sincerely Grateful,

Kurt Cassidy-Gabhart

 

 

 

 

Edited by Kurt Cassidy-Gabhart

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