Jason OHara Posted February 9, 2023 Share Posted February 9, 2023 We are preparing for a 2-camera shoot in a studio, w/ a controlled 3-point lighting set-up (interviews), with 2 cameras on tripod, so no moving cameras, or changing light sources. Of course – we would prefer to use 2 of the same cameras, however we are still in development so cash-strapped and really need to make the most of the cameras we have access to (FX6 & C300mk2) , and so we are seeking workflow advice to optimize our set-up to ensure the images match visually and can be inter-cut. We will be sure to film a colour chart prior to rolling each camera, so that the colourist has this reference for matching the 2x cameras in post. We also intend to film flat/log on both cameras, so on the FX6: Slog3-S-Gamut3.Cine On C300mkii: Canon Log 2 (which I understand would be the preferable option to Canon Log 3, Canon Log 2 being flatter and more comparable to Slog3?) We much appreciate any advice relating to our intentions outlined above, and any other workflow advice for our set-up, given our intentions to inter-cut this footage. Thank you in advance! -J Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now