Eric Styles

Thanks for the responses, but we have the budget to re--scan the neg to 2K and have a sepearte DI for our final picture master. I enjoyed this route on my previous film. However, I'm keen to avoid the 24/25 PAL issue, (the film will be cut in Europe) keep all our rushes offline/test screening in True 24fps, and offline with much higher quality rushes. Anyone know what affordable ways to acheieve HD 720 or 1080 rushes runnig at 24fps? Oh by the way, anyone had a good time doing a DI at PICTORION in Germany? Thanks

Hi, Just wondering on whether anyone has advice on shooting 35mm at 24 FPS, rushes transfer to HD at 24FPS, cutting on Avid Media Composer / Final Cut Pro at true 24FPS, before re-scanning for DI finish, Last film I worked on, we transfered rushes to DVCAM, but at 25FPS, and this time I'd like to offline in much higher resolution and be able to conform the rushes tapes for any preview / Test screenings. Idealy I'd like 720p 24 rushes that I can upsample to 1080P for preview screenings. Any thoughts would be very welcome. Thanks Eric Styles

Hi, Just wondering on whether anyone has advice on shooting 35mm at 24 FPS, rushes transfer to HD at 24FPS, cutting on Avid Media Composer / Final Cut Pro at true 24FPS, before re-scanning for DI finish, Last film I worked on, we transfered rushes to DVCAM, but at 25FPS, and this time I'd like to offline in much higher resolution and be able to conform the rushes tapes for any preview / Test screenings. Idealy I'd like 720p 24 rushes that I can upsample to 1080P for preview screenings. Any thoughts would be very welcome. Thanks Eric Styles