Panayiotis Salapatas

Hi Dirk, Thank you for your reply. I wanted to ask if there was any reason why super35mm - 3perf was chosen for the feature "Een ander zijn geluk"over let's say super 35mm 4-perf. Was it that one ususally saves around 25% in film an printing?

Dear all, I am planning to shoot a feature film on 35mm and the director is thinking of going anamorphic. There is also the possibility of super 35mm and there has been some talk on super 35mm?3perf. I know some of the pros and cons of anamorphic vs super 35mm but don?t know much about spuer 35mm-3perf. Is it expensive in the optical process as super 35mm-4perf is? Any people out there who have had experience with anamorphic. Also the film will take place in Alaska on a boat which means there needs to be a small light crew. How diificult is anamorphic to shoot? Thanks panayiotis

Dear Mr. Pytlak, thank you for your reply and help.

I am a cinematographer and would like to test some film stocks. Any idea where I can find motion picture film stocks (Kodak or Fuji) for SLR cameras in order to do some tests? I used to live in Los Angeles and there that lab RGB on Hinghland avenue and used to buy rolls of different stocks but just found out that they went out of business. Now I live in Athens, Greece. Of course any link to any lab in the world will do. Thanks Panayiotis