Ram Shani

hi

i am about to shoot commercial on roller-coaster (it doesn't have 360) and she is going 40KH

i want to shoot 2 persons every time

thinking about alexa mini or sony f55 (global shutter)

and to rig it with SACHTLER MAXIMA but afraid it wont work.....

my plan B is a poor man stabilizer and to put the camera on car tire

any advice will be great

thanks

ram

gomorrah!!!!

one of the best grity dark colorfull camera work i ever saw!

hi

i am working on feature film which was shoot with alexa 2k prorez 444 log-c

we are working in a pro post house with base light and 2k projector

the files from the alexa are very very noise spacialy the red channel!!

it's in day ext. and day int. scene

same scene it's more present the the other

any idea?

we are lost!

enjoy

what so great in this scene is that the cutting create the felling that jack is talking to him self (which he dose in the subtext )

great test i found

wow!

https://vimeo.com/46438718

every thing you like at the mark 2 you will like beater on the mark3

beater codec

no aliasing

no moire

no 12min record limit

but

it's still doesn't make a good movie

and doesn't make coffee

here is part 1 & 2

great documentary !!!!!

please look at part 1 first and pic the one you like best

in part 2 you will find a surprise:)

http://www.zacuto.com/shootout-revenge-2012/revenge-great-camera-shootout-part-one

i found this great test !!!!

https://vimeo.com/44800070

enjoy:)

please take a look at this great test

https://vimeo.com/44800070

ram

use this tehnicolor cinestyle http://www.technicolor.com/en/hi/theatrical/visual-post-production/digital-printer-lights/cinestyle

and this filter for great anti aliasing and moire http://www.mosaicengineering.com/products/vaf/5d2.html

and use 160 320 640 asa!!!

good luck:)

for me what work best is

expose to the right at - interiors and night scene

protecting the highlight at day exterior (expose to the left)

ram

looks great !

can you expend more about the camera choreography

and how did you handle all the camera moves on the studio with all the windows and mirrors in term of lighting and exposure?

thanks

ram

thanks:)

looking great

one question how did you light the night shoot of the apartment shooting through the window?

is it all practical?

thanks

ram

great book

i just keep coming back to him time after time

you can put the convergence at a distance (for example) 1.2m to 10m

then you can put your object at 4m (for example)

then you can dolly or crane until the object is at 1.2m

hope this help

ram

look like a great toll

and you can go up to 300fps!

http://www.abelcine.com/articles/images/pdf/phantom_65-z3d.pdf

yes thats it

thanks:)

http://blog.theimagehunter.com/wp-content/uploads/2011/03/11_IMG_2966.jpg

any one know what company are this lens?

and what mount?

Hi

I am looking for good book about stereogrhic book to learn from the basic

Then i would love to do master class in europ

Please any info will be great

Thanks

Ram

yes i am

i just love the picture of it

to me it looks very organic but still sharp

great great low light

and very good dynamic range

thanks

the flickering is a simple christmas light in front of the lens all in camera:)

i like it very much

good acting and story

the cinematography is very well serve the story

and the chose of static framing was good choice

i liked the lighting too

keep the good work:)

it's a good movie which mean all the components worked well

i encourage the director to work on shooting only after we set the locations and visit them and spend time to feel what they can bring to the movie.

then we sit to write the shooting list

when you go for shooting it's better to live place for changes

i called this process "create a reality (the film reality) and document it"