Graham Aldis
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Hey guys and gals, I'm in the pre-production stage of a feature I'm shooting entitled "The Search for the Golden Bird" (www.goldenbirdmovie.com,) and just realized that a florescent lighting rig is just beyond our budget. Having used Kino Flos and Soft Lights in just about everything I?ve shot I find it pretty necessary to have a few on set so I decided to build a few. I was wondering if anyone reading this has built one already and has any tips on the ballist, tubes, or anything else that they have found successful in building a flicker-free color reliable light. Thank you. Graham Aldis Graham@goldenbirdmovie.com
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Hey guys and gals, I'm in the pre-production stage of a feature I'm shooting entitled "The Search for the Golden Bird" (www.goldenbirdmovie.com,) and just realized that a florescent lighting rig is just beyond our budget. Having used Kino Flos and Soft Lights in just about everything I?ve shot I find it pretty necessary to have a few on set so I decided to build a few. I was wondering if anyone reading this has built one already and has any tips on the ballist, tubes, or anything else that they have found successful in building a flicker-free color reliable light. Thank you. Graham Aldis Graham@goldenbirdmovie.com