Florin_Serban

Jon, thank you. I'm thinking on 35mm because we have the equipment for free from school and some film. You're right about the overhead light, we counted in reflecting boards. I can't replace the available lights and this building is huge, with corridors, ramps, lounges. Almost every space has a different colour temperature and the camera will go in the same shot from one space to another. How about the flickering of the fluorescent light? Is there anyway to avoid or to control it? Thank you Florin

Hi, I'm a film student, directing. I'm about to start preproduction on a medium feature that I wrote and I'm investigating possibilities of shooting at night, interior with available fluorescent light (different color temperatures). This might sound extreme, but there are no money for renting lights, except some small ones for few close-ups and the building where we are shooting is HUGE. Which stock do you reccomend for this? Would 35mm ETERNA500 be a good choice? What would be other options? Any tip or advice will be highly apreciated. The budget is... loooow. Thank you Florin :huh: