raph-gardet

HI ALL I'll be shooting a short in Super 16 and the director wants to shoot in the 2:35 ratio.What are my best options ? Framing 2:35 and extracting 2:35 digitally or optically OR using the french system called TRONCHET which is basically putting an anamorphoser in front of your lenses.I've seen films shot with it and it works really well.( just a bit more difficult for the assistant....). If i go with the first options, what should i do to have the maximum definition? THank you for your help

HI ALL I'll be shooting a short in Super 16 and the director wants to shoot in the 2:35 ratio.What are my best options ? Framing 2:35 and extracting 2:35 digitally or optically OR using the french system called TRONCHET which is basically putting an anamorphoser in front of your lenses.I've seen films shot with it and it works really well.( just a bit more difficult for the assistant....). If i go with the first options, what should i do to have the maximum definition? THank you for your help

hello everyone i will be shooting a short film in Scope 35mm (my first) in august.All the film takes place in a remote area by a river,Day Ext.THe action is suppose to span a few hours.How can i keep lighting continuity,knowing that i can have at most one 6K or 2 2.5K. I can have as many mirror,12X12, ...as i want. Also i would like my stop to be a consistent 5.6. Filmstock is 250 D. Should i firmly ask the producer at least a 12K,with all that entail...Please any advice will be helpful.Also what kind of filter i could use to keep the same Kelvin (5600) throughout the day?There will be a few Extreme Close Up of the actors eyes, any problem i should expect with anamorphique lenses in such situation? thank you all so much for any kind of help.... :) :unsure:

what filters can i use for Black and white 16mm film (7222) ? for interior using HMI.,and for ext in an urban street.i have never shot B&W.thank you