I had four years of corporate video experience. I wrote, produced edited and shot on the old D30s. I started all over again and worked in the lighting department and I learned a lot from some great and very patient gaffers. I understand budget + concept = executable concept. That includes the DOP. If you don't get your day because you're spending hours moving three lights. The movie won't get completed. Simultaneously, I started camera assisting. I operated for an award winning french cinematographers who came up the ranks in the camera department. He operated for the top three cinematographers in France in the late 50's.
Not to say that other dops weren't successful in "just doing that" but i've seen them struggle as they were learning. Sure about a decade later their filmography and body work have grown as their reputation. I just can't agree with this. Yes there is only so much you can learn as a crew member at some point you have to start exposing that negative. My set experience rounded out what I didn't learn in film school and the aspiring directors that I met on set gave me my shot at cinematography. My imdb credentials does not reflect my true filmography. Where a person can best learn and progress cannot be defined so black and white there are gray/grey areas and it varies from person to person.
Looking back, I'm glad I worked on those big budget movies because I was able to utilize those tricks in my early jobs when I didn't have toys or the experience.
On my first music video. I loaded the mags. I did the live tie in to power the set. I showed my very green crew how to assemble the jib arm. I'm not saying I'm god. But I can make a very precise equipment list, make deals for the rentals and my crew and I have a great time on set and we can move efficiently because I've done their jobs in the camera, lighting and grip department.
When you're working with award winning veterans you are on the best film school in the world. And I also went to film school.
I had four years of corporate video experience. I wrote, produced edited and shot on the old D30s. I started all over again and worked in the lighting department and I learned a lot from some great and very patient gaffers. I understand budget + concept = executable concept. That includes the DOP. If you don't get your day because you're spending hours moving three lights. The movie won't get completed. Simultaneously, I started camera assisting. I operated for an award winning french cinematographers who came up the ranks in the camera department. He operated for perhaps the top three cinematographers in France in the late 50's.
Not to say that other dops weren't successful in "just doing that" but i've seen them struggle as they were learning. Sure about a decade later their filmography and body work have grown as their reputation. I just can't agree with this negativity with on set experience. Yes there is only so much you can learn as a crew member at some point you have to start exposing that negative. My set experience rounded out what I didn't learn in film school and the aspiring directors that I met on set gave me my shot at cinematography. My imdb credentials does not reflect my true filmography. Where a person can best learn and progress cannot be defined so black and white there are gray/grey areas and it varies from person to person.
Looking back, I'm glad I worked on those big budget movies because I was able to utilize those tricks in my early jobs when I didn't have the toys or the experience.
On my first music video. I loaded the mags. I did the live tie in to power the set. I showed my very green crew how to assemble the jib arm. I'm not saying I'm god. But I can make a very precise equipment list, make deals for the rentals and my crew and I have a great time on set and we can move efficiently because I've done their jobs in the camera, lighting and grip department and I know their challenges.
Politely is a given. Respect is earned.
When you're working with award winning veterans you are on the best film school in the world. And I also went to film school.