Hi everyone,
I am going to shoot a movie in S-16mm for television. The final edited negative will be transferred to digital HD-Tape by a Spirit Data Cine in 2K resolution.
Most of the sets are located in the european alps and will look warm and colorful. I shoot on Kodak's 7201 and 7205 for the daylight ex- and interiors and the 7218 for all night locations.
There is a New York part, which I would like more desaturated with rich blacks and a bit more contrast for a slightly stronger image. Therefore I decided to shoot the New York locations in daylight without an 85 Filter on Fuji Eterna 500.
The bluish look should be balanced later in the digital post (DaVinci) to get a more natural look. I' am aware of loosing saturation in the redtones. But.. Can I? Or should I use an 81 EF?
Is anyone experienced in 2K transfer on a Spirit DataCine? What happens to the skintones?
Thanks in advance
Thomas
