Juan Guajardo

.

the funniest comedy i ever seen.

filmed in spain, with english subtitles.

Enjoy the opening sequence of a real film comedy:

The Ferpect Crime

The "Ferpect" Crime. (El Crimen Ferpecto)

Use a mirror and direct your fixtures to it, the beam will be much more hard and with sharper shadows cause the mirror will you will increase the distance between the source and the subject (well at least more than what you can put a fresenel or a Par in the space of the room)

-------------------------------------

Deja-Vu (Lol) sorry.

Use a mirror and direct your fixtures to it, the beam will be much more hard and with sharper shadows cause the mirror will simulate farest source (well at least more than what you can put a fresenel or a Par in the space of the room)

Deakins was great with "The Assasination of Jesse James" and "No country for old men", Kamisnki has the credit for translate the feeling of the character to images in"The diving bell and the butterfly" but i was astonish with "Atonement", seriously i don't know who will win, oh and "There will be blood", just impressive!, great nomenees clearly my choices for this year.

My Choice Janusz kaminski for "The Diving Bell and the Butterfly".

In Almendro's Book he explain that he didn't use any filters, he hate them, he don't use difussion filter and any lights except for some practicals inside the hand lamps with hidden wires ( sorry for my english) for the escene of the fire, he painted the bulbs with orange paint for that warming color.

Use this one

HMI 50hz - Speed Chart

Luck!

Warm White is about 3000k to 3500k and Cool Withe is 4100k to 4200k and meaby add some CC15G for a greenish look

for the shutter remember that over 1/60 you will have flickering so it must be on 144° or less.

what's this? c'mon people were here for talk about cinematography so lets put this conversation on the right terms please

''I was not vaiting for it but i have nothing more to say that thaks Guillermo for puting the latin cinematography so up.''

 

I'm sorry but since when does best cinematography have anything to do with nationalities?

 

/Jan

Not at all, but is good news to knows that latin filmakers can do it too, is just that maybe he is the first latin DP with a great carrier recognized for all over the world thanks to the academy

I was not vaiting for it but i have nothing more to say that thaks Guillermo for puting the latin cinematography so up.

maybe was the level of the Chroma Phase

buy some foamcore and Alusa-foil (on the supermarket)

thats will work! And then you have your own reflectors

"The Illusionist and The Prestige" are the top of the oscars nominees for best cinematography.

"Children of men" a good one too but my favourite is The Illusionist.

Where are the nominations for Babel and Marie Antoinette?

Thanks All.

I decided to buy a light meter finally and i was about to buy the Sekonic L-558Cine and then i notice of a new version the L-758Cine on ebay, please anybody know if this new one is better.

What you think is best for film and digital cinematography.

Thanks.

The dvd look's horrible (or pefect from a diferent point of view) they correct everything, color, noise, etc..

the original look of beebe is gone with the film, this is totally diferent.

interesting, totally agree with David. (Great Analisys)

and please storaro/bertolucci

Some shots seemed like they were interlaced at some point, giving the movement that video look.

The quality of the image (resolution) overall was fantastic I thought.

I would love to see it on a true HD projector to see the difference.

 

Anyone know if they shot this on true 24p (or 23.98)?

I know that some of the stuff that looked so crappy on "Collateral" was because it was shot 60i.

 

I bet this will look great on HD-DVD and Blue-ray.

i think this was shot on 24p but the shutter was fully open (360°) thats why the aspect looks like video 60i.

"The Russian Arc" was record with an F900 direct to hard drives in 4:4:4.

How do they did it, i don't know but they did it.