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Philip J. Martinez

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Everything posted by Philip J. Martinez

  1. Sachtler Video 25 Fluid Head (150MM Ball Base) Sachtler Standard legs with spreader (aluminum) Ronford baby legs High Hat hard plastic case for Head and legs hard plastic case for baby legs Tripod is used, had cosmetic sighs of ware, but is in good working order. Asking $4,000.00 OBO located in mid town Manhatten would like a local pick up or buyer pays shipping please call or eMail 917-309-3605 philipmartinez@mac.com I am not on this forum much but I am an active member at the steadicam forum New at B&H $8,190.00 (Head only)
  2. Sachtler video 25 Tri-pod for sale. Head was just serviced at TCS in New York City. Video 25 Head 7x7 150mm ball Standard Legs Baby Legs Hi Hat $3500.00 Thank You, Philip J. Martinez 917-309-3605 philipmartinez@mac.com www.philipjmartinez.com
  3. I looked on there website and could not find it. I think I need a camera house that rents the Sony XDCAM.
  4. Does anyone know where to rent the Fujinon XS13x3.3RM-M1/2” 13x High Definition Wide-angle Lens? I'm in New York but I'll have it shipped in from anywhere in the US. I have a shoot with the EX3 coming up and I need a wide angle zoom. The show previously used a PAL Digi Beta with a Cannon 4.7MM-47MM zom and I need a similar wide angle. Thanks
  5. For Sale $17,400.00 USD Please call or email 917-309-3605 philipmartinez@mac.com Camera Package: 1- Aaton XC Super 16MM camera 2- 400? Magnetic drive mags. 1- Cooke 10.4 to 52 zoom lens 1- 4? by 4? matte box 1- Black and white video tap 1- Sachtler video 25 head 1- Standard legs 1- Baby legs 1- Hi hat 1- Follow focus 1- Extension eyepiece 1- Pistol grip 1- Single charger 2- On board batt. 1- 9 Pin AMPH to video tap 1- 4 Pin to video tap 1- 4 pin XLR cable 1- 2 pin lemo Filters: 85,85N.D.3, 85N.D.6, N.D.6, Pola, ¼ Black Promist KATA camera Bag
  6. Camera Package: 1- Aaton XC Super 16MM camera 2- 400? Magnetic drive mags. 1-Cooke 10.4 to 52 zoom lens 1- 4? by 4? matte box 1- Black and white video tap 1- Follow focus 1- Extension eyepiece 1-Pistol grip 1- Single charger 2- On board batt. 1-9 Pin AMPH to video tap 1-4 Pin to video tap 1-4 pin XLR cable 1- 2 pin lemo Filters: 85,85N.D.3, 85N.D.6, N.D.6, Pola, ¼ Black Promist $10,000.00 USD
  7. I do not know if it has "auto-tracking" that could be it. The color changed in the middle of a Med. shot on the host, at 1st he looked "normal" and then went a purpleish blue. The lighting was a little strange, very amber and blue gels used on the lights lighting the stage. I white balanced that out and from there it changed. I have to use the cameras again on Friday dont know if I can get to them before then so it could happen again only time will tell. Thanks!
  8. HI Guys, Thank you for all the replies. It is something inside the camera nothing got dumped. The white balance switch was not touched and the filter wheel was not touched. On the 500 only ND is in the filter wheel you have to set 32 or 56 in the menu. There was no monitor on set just the LCD on the camera. I checked the card in the other camera so I know it was recorded to the card. seems strange. If I find out what it is I'll let you know. Thanks again
  9. the white balance switch was not touched. It seems like something inside the camera.It did go back to "normal" I'll try to post the the shot if I can get it. It should go back in I'm sure it is still under warranty however it is a big company that is not a rental or video production house. There is a lot of red tape to get anything done. I do not know where they got the cameras but I guess you just call Panasonic. Does anyone have a # for them better then just calling 411? Thanks
  10. I was on a shoot today with 2 -HPX 500 cameras. This was the 2nd shoot with them and I have been on both shoots. Nothing has happened to the cameras, they have been on tri-pods inside for both shoots. They go in pelican cases for the drive back to the storage. twards the end of the 90 shoot one of the camera went blue while rolling like the white balance changed but it had not. Has this ever happened to anyone? The camera should go back, it is brand new but it might be a little hard to get the company to send it in. Thanks, Philip
  11. Are you looking to buy one? If so take a look at the Steadicam Flyer. If you need to hire a Steadicam operator most of us have weights that we add to full size rigs to fly these lighter cameras. Check out the SteadicamForum.com Good Luck
  12. No it is A 10.4 to 52 zoom 2.8 is as opened as it goes 1'6" close focus are you intersted in the package?
  13. Able cine has taken care of the camera since 97' It has not been in for over 2 years but I have no shot more then 100 400' loads from the last overhaul. It is the 9 to 50 with the Optex conversion. It is really sharp! Lens and camera are Aaton mount.
  14. 1- Aaton XC Super 16MM camera 2- 400? Magnetic drive mags. 1-Cooke 10.4 to 52 zoom lens 1- 4? by 4? matte box 1- Black and white video tap 1- Follow focus (LT just one side) 1- Extension eyepiece 1-Pistol grip 1- Single charger 2- On board batt. 1-9 Pin AMPH to video tap 1-4 Pin to video tap 1-4 pin XLR cable 1- 2 pin lemo Filters: 85,85N.D.3, 85N.D.6, N.D.6, Pola, ¼ Black Promist $15,000.00 OBO Philip 917-309-3605
  15. $20,000.00 OBO want to sell this package someone make me an offer
  16. No Offers? What do people think this camera package is worth? The tri pod alone is good for at least $6500. That is a super 16 camera for $18,500.00 with a video tap. I will be happy to sell the just thecamera/lens ect. and hang onto the tri pod. Anyone.........
  17. I'm hopeing to sell it as a whole package. This is a good camera for Low Budget features. Here is a link to a trailer for a Feature I shot with it. http://web.mac.com/philipmartinez/DP/Trailer.html
  18. I'm looking to sell my camera (need cash for the Steadicam I got earlier this year) $25,000.00 OBO Please email or call Philip Martinez philipmartinez@mac.com 917-309-3605 Camera Package: 1- Aaton XC Super 16MM camera 2- 400? Magnetic drive mags. 1- Cooke 10.4 to 52 zoom lens 1- Nikor 135 prime 1- 4? by 4? matte box 1- Black and white video tap 1- Sachtler video 25 head 1- Standard legs 1- Baby legs 1- Hi hat 1- Follow focus 1- Extension eyepiece 1- Pistol grip 1- Single charger 2- On board batt. 1- 9 Pin AMPH to video tap 1- 4 Pin to video tap 1- 4 pin XLR cable 1- 2 pin lemo Filters: 85,85N.D.3, 85N.D.6, N.D.6, Pola, ¼ Black Promist
  19. I have drop the price on the Aaton XC to $25,000.00 Thank You, Philip Martinez
  20. I'm willing to drop the price. $30,000.00 for the rig, I have had it for the past 10 years and it has been maitained by Able Cine. Also have a KATA camera bag to go with it the camera runs 6,12,18,20,24,25,29.97,40,54 FPS control on camera (only sync at 24,25,29.97) Make me an offer philipmartinrz@mac.com
  21. Looking to sell my Aaton Super 16MM camera $40,000.00 or best offer I only want to sell the complete package CAMERA PACKAGE: 1- AATON XC 16MM/SUPER 16MM CAMERA 2- 400? MAGNETIC DRIVE MAGS. 1- COOKE 10.4 TO 52 ZOOM LENS 1- NIKOR 135 PRIME 1- 4? BY 4? MATTE BOX 1- BLACK AND WHITE VIDEO TAP 1- SACHTLER VIDEO 25 HEAD 1- STANDARD LEGS 1- BABY LEGS 1- HI HAT 1- FALLOW FOCUS 1- EXTENSION EYE PIECE 1- PISTOL GRIP 1- CHARGER 2- ON BOARD BATT. (re-celled only 20 cycles on them) 1- 9 PIN AMPH TO VIDEO TAP 1- 4 PIN TO VIDEO TAP 1- 4 PIN BATT. CABLE 1- 2 PIN LEMO FILTERS: 85,85N.D.3, 85N.D.6, N.D.6, POLA, ¼ BLACK PROMIST Please email philipmartinez@mac.com
  22. Hello I'd like to thank anyone in advance for any advice they could offer. This is my 1st post on this forum. I have been shooting in NYC for the past 10 years and have own an Aaton package for most of it. I just shot a Music Video with the F900 (I have used it often on cooking shows) it was a green screen job that is having 3-D backgrounds made for it. I shot in 29.97 P instead of 23.98 P. I think this was the right choice, I got a call from the producer not saying that there was a problem but that they did not know how to load if for edit if it was not 24P. I told them it was a button in the computer. Is there more of a differences in frame rate on HD then Film? I have shot green screen jobs on film that were 29.97 FPS and ones that were 24 FPS and I just had to let the transfer house know witch one. Is it not the same in HD??? Thanks again
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